Gall2

note: d’Albizo’s lauda--’lauda de’ morti’. In LA424, lauda sent to ‘Messer Francesco di Giovanni piovano di l’Anciso’.

note: stanzas only; rit. draws on ‘Piango il tempo perduto’.

note: cc. in Gall1 = ‘I’ ti riveggio bello’, possibly a corruption of the cc. incipit cited in all other sources for this lauda. For ed. of cc. text, see V. Cian, Ballate e strambotti nel sec. XV tratti da un codice trevisiano, «GSLI» IV, 1884, 42-3; the first half of each line is drawn from various psalm texts in the vulgate, while the second half is in Italian.

note: CattinR, 35. Music ed. LuisiLG, ii, 254-5 (w/both the above texts, along with Giustinian’s ‘Piangi isventurato amante’, also a cc. for Belcari’s ‘Piangi e sospira’).

note: See CattinS, 271-3. Cc. refers to Belcari’s Rappresentazione d’Abramo e Isacco, 1449, and alternate cc. of ‘ballo’ & ‘gli strambotti’ may be part of a single cc. indication, and may refer to one of the melodic formulas used to recite Florentine strambotti. The lines appear in the play at the moment when Isaac descends from (not ascends) the mountain (lines 393-408 in Belcari’s play).

note: in LA424, lauda sent to ‘Jacopo di Luigi de’ Morsi’.

note: FallowsCat, 559 (where he notes that the attribution of the cc. to Poliziano is no longer tenable); La Face/BianconiGS, 189. Music of cc. not extant, but of the many text sources most appear to be of Florentine provenance. The cc. text was also recorded in BML, Antinori 158, a Florentine collection of poesia per music dating from ca. 1505-8; see PrizerWC.

note: FallowsCat, 557. 3-part setting in MC ed. PopeM, 313, with commentary on 608.