Gall2

note: lauda re. St. Zenobius

note: CattinRP, 388-9 (where he notes the existence of ‘twin’ poems by Poliziano with the same incipit: ‘I’ seminai il campo e altri miete’, and ‘I’ seminai il campo, un altro miete’); D’AnconaPP,484.

note: See CarboniE, 459-61; CattinNF, 200-1. Music ed. CattinG, no. 21 (Grey); LuisiLG, ii, 88-93 (all ). Text entered in R2929, which was copied by 1448; ed. LuisiLG, i, 255. See also ‘O Jesù dolce’ as cc. for numerous laude.

note: lauda text entered in R2929, which was copied by 1448.

note: lauda ‘contra agli Ebrei’, by Maestro Giovan Battista medico della Barba. Lauda consists of strophes linked to two previous laude in Gall2, ‘Eran pastori’ & ‘Vidi virgo Maria’, which share rhyme scheme and cc. models. Presumably the refrain of ‘Vidi virgo Maria’ serves also the strophes of the subsequent two laude that follow in all sources, and seem to be additions (‘aggiunta’) to ‘Vidi virgo Maria’.

note: FallowsCat, 624-5; CattinCI, 431-2 (with comparison of Spanish & Italian texts); RubsamenLS, 16-17. Survives in four different versions and lute tablature (c. 19 extant sources); the most popular of all 15thc. songs. Music ed. in StevensonC, 228 (CMC); IMM/iv, 28 (Pix); HewittO, 226 (Odh version w/added voice); ed. & discussed in PerkinsMAR, 492-4 (see FallowsCat, 624 for further editions). Music adapted by Tromboncino as a macaronic barzelletta (‘Nunqua[m] fu pena maggiore’; in PetF/iii & Bas2441, ed. CesariLF, 136), and T & D voices cited in a number of other compositions. Cited in Italian (esp. Florentine) sources with Latin version of incipit, ‘Nunquam fuit pena (poena) maior’. In LA424, lauda sent to ‘Francesco miniatore’; cc. = ‘Nunquam fu pena maior’.

note: see ‘Jesù fammi morire’ as cc. for ‘Molti son da Jesù’.

note: in LA424, Ascension lauda, sent to Ser Lorenzo, priest in San Tomaso.