Q17

Cela sans plus et puis hola R4:8/11 (aBba)

Language:

Composer:

C. Lannoy or Josquin

Lauda:

Andiamo ad Jesù Cristo-a
Qr:7 (abab cdcd...)

Lauda Poet:

Feo Belcari

Notes:

note: see FallowsCat, 105. Lauda text transmitted in Gall3, et al. with cc. = ‘È levomi d’una bella mattina’. See CattinCI, 417 on link and poetic compatibility with ‘Cela sans plus’, the music of which is ed. in BrownF, ii, 198 (BR229).

Music Sources:

Cantasi Come Sources:

Pal120

R196

Read more about Cela sans plus et puis hola R4:8/11 (aBba)

Nunca fue pena mayor Cancion 4:8 (abab cdcd abab)

Poet:

Don Garcia Alvarez, Duke of Alba

Language:

Composer:

Johannes
Wreede?

Lauda:

Non fu mai pena maggiore
6:8 (abbaac cddcce ...)

Lauda Poet:

Francesco d’Albizo

Notes:

note: FallowsCat, 624-5; CattinCI, 431-2 (with comparison of Spanish & Italian texts); RubsamenLS, 16-17. Survives in four different versions and lute tablature (c. 19 extant sources); the most popular of all 15thc. songs. Music ed. in StevensonC, 228 (CMC); IMM/iv, 28 (Pix); HewittO, 226 (Odh version w/added voice); ed. & discussed in PerkinsMAR, 492-4 (see FallowsCat, 624 for further editions). Music adapted by Tromboncino as a macaronic barzelletta (‘Nunqua[m] fu pena maggiore’; in PetF/iii & Bas2441, ed. CesariLF, 136), and T & D voices cited in a number of other compositions. Cited in Italian (esp. Florentine) sources with Latin version of incipit, ‘Nunquam fuit pena (poena) maior’. In LA424, lauda sent to ‘Francesco miniatore’; cc. = ‘Nunquam fu pena maior’.

Music Sources: