CorsD3

note: see FallowsCat, 554; PrizerF, 12 (“viniziana”); FallowsLG, 255; HaarCM, 51. Music ed. HaarCM, 175 ; CMM42, no. 4 (Cord); LuisiLG, ii, 266 (Cord); ThibaultM, p. 17 (Cord), & lxxxvi (SevP). Alternate cc. = ‘Guerriera mia’. Text ed.Wiese, 79 (‘Perla mia cara, ay dolce amore’). The text of Cord adapts and alters Giustinian’s text, while P4379 is more faithful to it; ThibaultM, lxxxv-lxxxvi.

note: alternate cc. = ‘Purità Dio ti mantenga’, ‘Galantina amorosina’

note: RostirollaB, 716 (‘Laudate Dio’). Version in the Roman sources is an arrangement by Animuccia of the traditional Carnival song melody and Florentine lauda text; facs. in RostirollaTL, 34.

note: alternate cc. = ‘Purità Dio ti mantenga’ (Gall2, Rs424). Song reconstructed from T of Cornago Mass of same name in GerberC, further reconstructed by AtlasAV, 109-20 (w/full discussion and fuller recovery of the cc. text). Melody also ed. in JeppesenF, iii, 128. The original poem and its melody were known at the Neapolitan court by ca. 1453.

note: see CattinR, 36. Cc. = popular ternario (terza rima), formed around an acrostic of ‘Ave Maria’. Cc. text entered in R2929, which was copied by 1448; ed. LuisiLG, i, 381-2. See ‘Ave tempio’ as a cc. for Belcari’s ‘Salve regina di misericordia’ for musical settings that can be linked to the former.

note: lauda del monastero. See ‘Ora mai sono in età’ as cc.

note: alternate cc. = ‘Leggiadra damigella’