1589/2

note: cf. ‘Giù per la villa lunga’ as possible original secular model. Lauda copied by Savonarola into CB. 1577 Roman version ed. in RostirollaTL, 46 (with facsimile).

note: RostirollaB, 712; Carboni-ZiinoLM, 279. Music ed. Mancuso, no. 47 (Rz1563); RostirollaTL, 28 (which differs from the setting in Rz1563); RC395 (tenor only, which matches tenor of Rz1563). Cc. text attr. to A. Bettini in M365. Ferr84 melody is a version of Razzi’s melody; both ed. in Carboni-ZiinoLM, 329. 1589/2 transmits a3 setting identical to Anim1577, except with shortened cadential melismas for the first stanza, and (as in Rz1563) a musically independent ‘seconda parte’ for the 2nd stanza. See ‘Io mi trovo’ as modo proprio. The Roman sources transmit and set to music only the refrain text of ‘Io mi trovo’, which in this condition is used as a formally compatible singing model for laude with the form of CapQ (AbbA...).

note: note: RostirollaB, 717. Music of cc. ed. RostirollaTL, 43 (Anim1577); similar cantus in Rz1563 w/text ‘Leviam’ i nostri cori’, which also appears to be related to the music in Rz1563 for ‘I’ sento al cor conforto’ (the latter is paired with ‘Levate su pastori’ as cc. models for Razzi’s lauda ‘Oggi lieto e giocondo’); ed. Mancuso, 370 (‘I’ sento al cor’), 439-40 (‘Leviam’ i nostri cuori’). ‘Levate su pastori’ and similar melody transmitted in 1689/2, ed. LuisiLG, ii, 164 (ed. with both of the above texts), and in 1583/3. Giustinian text ed. LuisiLG, i, 400. See ‘Levate su pastori’ as a lauda with modo proprio setting.