Anim1563

note: music and text ed. Mancuso, 501-6. Given the moments of awkward text accentuation in this setting, this is probably a contrafactum of a secular song, though its poetic form does not suggest a carnival song model.

note: the cc. clearly refers to a carnival song, but not one I have been able to locate in the printed sources.

note: see ‘Purità’ as a lauda with a modo proprio for bibliographic notes; text entered in R2929, which was copied by 1448, and in BML, Ashburnham 423, which probably predates the 15thc.

note: cf. ‘Giù per la villa lunga’ as possible original secular model. Lauda copied by Savonarola into CB. 1577 Roman version ed. in RostirollaTL, 46 (with facsimile).

note: text & music ed. Mancuso, no. 44.

note: Macey proposes this link based on similarity of rhyme scheme; music ed. with this lauda text in MaceyS, 33, and MaceyB, 67.

note: CattinNF, 204-5. The 4-part setting of ‘L’orazione’ in Grey, ed. CattinG, no.31 (‘L’oration’) is a contrafactum of this well-known Tromboncino frottola, which is ed. & discussed in PerkinsMAR, 407-9; JeppesenF, iii, 249-50; text ed. 152 (Triv55). Music also ed. in CesariLF, 16 (text in appendix, p. 8).

note: CattinR, 27. Cc. indications for ‘L’orazione’ are ‘Ferrivecchi’ and ‘L’erba buona’. 4-part setting of ‘L’orazione’ in Grey, ed. CattinG, no.31 (‘L’oration’). This is a contrafactum of a well-known Tromboncino frottola, ‘Se ben hor non scopro el foco’, ed. in JeppesenF/iii, 249-50 (Triv55). For more on the frottola, incl. eds., see CattinNF, 204-5. The setting of Belcari’s text in Anim1563 differs from the music found in the other sources; see RostirollaB, 718.