[MaceyB

note: music of carnival song, the ‘Canzona degli uomini salvatichi’, is preserved in Rz1563 with the lauda text ‘Viva, viva in oratione’.

note: carnival song, ‘Canzona degli uomini salvatichi’; text ed. SingletonCC, 87-8 & BruscagliTCC, ii, 411. Both titles possibly related to ‘Viva viva li galanti’ (a fragmentary text, but with complete music a4 in Per431). A more likely source of music is Razzi1563, where the compatible lauda text is ‘Viva, viva in oratione’. On the interrelated complex of ‘Viva viva’ songs related to the Savonarolan carnival of 1496, see MaceyB, 61-73 (Giambullari’s ‘Vivi vivi in contrizione’ is not mentioned here, but it surely belongs to this complex of songs). Text and music of carnival song, and related Savonarolan lauda texts ed. in MaceyS, 23-31.

note: Macey proposes this link based on similarity of rhyme scheme; music ed. with this lauda text in MaceyS, 33, and MaceyB, 67.

note: Music ed. w/ both texts, as well as that of original carnival song text, ‘Giovani mandati siamo’, in MaceyS, 45-9.

note: See MaceyB, 109-112; CattinCC, 194-5. Music ed. in MaceyS, 69-70. Savonarola lauda written in 1484 as prayer for church upon death of Pope Sixtus IV. Cf. Leggiadra damigella & Molto m’annoia as cc. sources for Belcari’s Jesù sommo diletto.