Anim1563

note: Carboni-ZiinoLM, 282. Cc. cancelled in Ferr84; alternate cc = ‘Benedetta sia quell’ora’. In M365, cc for ‘Cominciamo’ = ‘Occhi miei de lagrimare’ (a4 in BL.Eg3051).

note: CattinCC, 205, 212; RostirollaB, 731-2; Carboni-ZiinoLM, 279, 289, 302, with melody ed. twice at 318, for both ‘Oimè lasso’ and ‘Occhi miei di lacrimare’ (w/music a4 in BM.Eg3051). Different music for ‘Oimè lasso’ ed. in CattinCC, 226-7, with link to secular cc. (frottola) ‘A la fe’ che la tua fe’ (M365, RC395, Ferr84; music in BR230). Cc. indication cancelled in Ferr84. See ‘Oimè, lasso’ as a lauda with several cc. models, as well.

note: Rz1563 music for ‘Cor maligno’ differs from that of ‘Oimè lasso’ in Ferr84.

note: re. ‘Ogn’un’, see Carboni-ZiinoLM, 283; text ed. 307-8, w’rubric: ‘Fr. Thomas [de Neapoli] dictabat anno 1558’.

note: the musical settings of ‘Jesù’ in Anim1563, et al. differ from the setting of ‘Vergine tu mi fai’ in Anim1563.

note: CattinR, 43, no.70; RostirollaB, 680. There is a monodic setting of the lauda in Ven145, a different 2-part version in Pal472 (ed. Diederichs, 408), & a 4-part setting in Anim1563. All 3 are ed. in LuisiLG, ii, 6-11, with text ed. i, 259-10. Gall3 = ‘Donna esto mio lamento, vinitiana’. The lauda also enjoyed an extended life in early 17thc. lauda prints (Lodi et Canzonette, 1608); see LuisiLG, ii, 147-9. In 1589/2, ‘Anima benedetta’ sung to a3 setting of ‘Jesù nostro riscatto’. The lauda may be modeled on the 14thc. secular ballata ‘Era tutta soletta in un prato d’amore’ (ed. CarducciCBSM, 67-8), which shares the same rhyme scheme of the refrain ‘Anima benedetta’, as well as its BaG:7 form. Cc. text variously attributed to Giustinian, Jacopone da Todi, and Clemente Pandolfini; entered in R2929, which was copied by 1448.

note: RostirollaB, 705; CattinR,34; CattinS,269-70. Alternate cc. = ‘La madre tornò dal santo’ (Gall2,R196). Lauda copied by Savonarola into CB. 1577 Roman version ed. in RostirollaTL,46 (+facs). See ‘Giù per la villa lunga’ as cc. for ‘Giù per la mala villa’.

note: RostirollaB, 741. ‘Purità Dio’ is cc. for ‘Aggio visto il cieco mondo’, and alternate cc. for ‘Aggio visto il cieco mondo’ = ‘Aggio visto ‘l mappamondo’ [lappamondo]--see the latter for musical settings. Text ed. BettariniJ, 407. Rubric in Ch266 reads, ‘Lauda di purita in sul modo suo’.

note: CattinR, 43, n.70 . There is a monodic setting of ‘Anima benedetta’ in Ven145, a different 2-part version in Pal472 (ed. Diederichs, 408), & 4-part setting in Anim1563. All 3 are ed. in LuisiLG, ii, 6-7. Of the two laude in the Galletti prints with the incipit ‘O vergine Maria’, the ‘O vergine Maria/chiunche ti vuole amare’ in Gall4 matches the BaG:7 form of ‘Anima benedetta’.