CorsD3

note: FallowsCat, 508; Diederichs, 90-99. Alternate cc. for ‘Tu che poi’ = ‘La vita della sgalera’ (Gall2). Lauda re. San Lorenzo. The differing versions of the music for ‘Con desiderio’ ed.: LuisiLG, ii, 28-35 (BU, Grey, Panc27, M18); CattinG, no.5 (Grey; w/notes on p. xviii); Diederichs, 296-303 (M18 facs., BU & Panc27). See WilsonMM, 172, 280-1 (BU). A different a3 setting of ‘Con desiderio’ (found in Cord w/lauda text ‘Ben lo sa Dio’ & ed. in ThibaultM, 4-5; see FallowsCat, 504-5) is related to the identical versions in Grey (ed. CattinG, no.22) & Panc27 (LuisiLG, ii, 32 & Diederichs, 302). Text of ‘Con desiderio’ ed. LuisiLG, i, 292-3. Cc. text entered in R2929, which was copied by 1448, and Mgl II.IX.58, copied by ca. 1415.

note: Belcari closely modeled his lauda on ‘Ben lo sa Dio’, employing identical rhyme scheme and words.

note: VB3711 bears no cc., but the rubric ‘fece Feo Belchari et madolla ad papa Pagolo Sicondo [1464-71]’; two surviving letters by Belcari dated Sept. 9, 1467 and July 1 1468 record his efforts to send his lauda ‘de’ fructi della carità’ (the rubric for ‘Chi se veste’) to this pope through his longtime friend Piero dell’Orto, the bishop of Massa Marittima; see FigliouoloT, 269-70. On the cc., see FallowsCat, 504-5; GallicoRM, 54; CattinNR, 274; ZiinoNF, 237-9 (fragment). Music ed. Kottick, CMM42 & ThibaultM, 4 (Cord); CattinG, no.22 with text ‘Cum desiderio io vo cercando’ (Grey); LuisiLG, ii, 32 & Diederichs, 302 (Panc27, also w/text ‘Cum desiderio’). Grey & Panc27 versions (w/lauda texts) based on D & T of Cord. Older version a2 in AT A.5, which presumably forms the basis of the Cord version. On AT A.5, see ZiinoNF (facsimile pl. 3, partial transcription 245). 1513/1 melody (a citation within the context of a barzelletta, ‘Se mia trista e dura sorte’, set to music by Niccolò Brocco) ed. JeppesenF, iii, 53, and compared to the Cord melody in ThibaultM, lxxvi. Different cc. in Gall1 (‘O lasso me’) & M690 (‘Si fortemente son tracto’).

note: RostirollaB, 741. Alternate cc. is ‘Aggio visto ‘l mappamondo’ [lappamondo], with musical setting. Text of ‘Purità’ found in Gall3 without a cc. (suggesting it was already associated with its own modo proprio setting), in R2929 (‘Povertà di Dio’), which was copied by 1448, and BML, Ashburnham 423, which probably predates the 15thc.

note: ottave. Variant cc.: ‘la passione’; alternate cc. for ‘Aprite lo ‘intelletto’ = ‘stanze d’Abram’

note: in Ch266, fol. 288v, this lauda is dated 1456, and ascribed to [R]uberto Benvenuti.

note: alternate cc. for ‘Mosso da santa pazia’ = ‘Verbum caro factum est’ (Ch266)

note: alternate cc. for ‘Amanti del Signore’ = ‘Chi arà mai’. The rubric in Gal1 indicates Belcari’s lauda is to be sung to the music of Giustinian’s ‘O rosa’ ‘senza stanze’, that is, using only the refrain, the rhyme scheme and meter of which are reproduced in Belcari’s quarta rima scheme.

note: lauda rubric: delle cinque lettere; cf. ‘Perla mia cara’ alternate cc. for ‘Madre di Dio’ w/music in Cord & SevP.