M367

note: see VaraniniM, 17. See ‘S’i’ pensassi’ as cc.

note: see CattinR, 34; CattinS, 269-70; RostirollaB, 705; RostirollaLC, 758. Alternate cc. = ‘La madre tornò dal santo’ (Gall2, R196), though this may refer to the same piece; the first 4 lines of the secular text are: ‘Giù per la villa lunga/la bella se ne va/la ma’ torno dal santo/trovo il figliuol mal.’ Lauda text copied by Savonarola into CB. 1577 Roman version ed. in RostirollaTL, 46 (+facs.). Similar setting, w/slight variants, transmitted in 1589/2.

note: alternate cc. for ‘Mosso di santa pazia’ = ‘Senno mi pare’

note: alternate cc. for ‘Con ogni reverentia’ = ‘Piangete con Maria’

note: alternate cc. for ‘Mosso da santa pazia’ = ‘Verbum caro factum est’ (Ch266)

note: lauda text entered in R2929, which was copied by 1448.

note: cc. poem copied in autograph ms. of Florentine cantarino Filippo Scarlatti, LAD759, f.262. PetF/vi transmits settings of ‘Moro di doglia’ (no. 3) and ‘Aimè ch’a torto’ (no. 4), both of which are interior strophes of ‘I’ vedo ben’ (see CattinNR, 284). Music ed. LuisiLG, ii, 254-5 with text of ‘I’ vedo ben’ and Belcari’s ‘Piangi e sospira’ (for which ‘I’ vedo’ is also a cc.). Settings of ‘Aimè ch’a torto’ and ‘Moro di doglia’ ed. and discussed in RubsamenJ and, more recently, HaarPJ. Giustinian text ed. Wiese, 287f.