BU

Note: FallowsCat, 565-6; Mancuso, 125-7; RostirollaLC, 783-4, 847. Dufay setting ed. CMM1/vi(r), no. 5; DuffinD, 62; facs. in PlanchartW (Q15, Ox). Rz1563 setting a2 & Razzi melody from Pal173 ed. in LuisiLG, ii, 137-9; Mancuso, 270-76. Text ed. in LG, i, 269 (attr. to Giustinian in many sources). See ‘Vergene bella gratiosa et pura’ in Ven145, w/melodic similarities. Later settings of text by Tromboncino (1510), & Rz1563, w/some melodic similarities (JeppesenF, ii, 105). In Pal173, Razzi presents a cantus melody for the first two lines, and this differs completely from either Dufay’s chanson or Rz1563.

note: Cc. is a carnival song on the subject of peace and fortune; the text is ed. in SingletonCC, 15-16. See ‘Con desiderio’ as a cc. for bibliography on the lauda. Lauda text entered in R2929, which was copied by 1448.

note: In Ch266, 32v, the cc. rubric citing ‘Deduto sey’ falls between ‘O pace benedetta’ and ‘Nostr’avocata se’ et sempre fosti’, and appears to refer to the first of these. However, the mixed line lengths of ‘O pace’ are incompatible with ‘Deduto sey’, while those of ‘Nostr’ avocata’ (which also appears on fol. 126r bearing ‘Deduto sey’ as a cc.) are compatible.

note: see ‘Vergine bella’ as a lauda with a modo proprio setting for bibliography.

note: cc. title is ‘Invidia al ciel nimicha’, but FallowsCat, 525-6 argues for the close connection between these two versions of the cc. title. Incipit echoes Petrarch’s sonnet ‘O invidia nimica di vertute’. Music ed. in DuffinD, 60 and CMM1/vi(r), no. 2 (Ox); earlier CMM1/vi unreliable for this piece.

note: FallowsCat, 512-13; Fallows in VendrixC, 111-13; WilsonSC, 74. Music ed. in PMFC11, no.19, and 24, no.42. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 35; see CilibertiP, 23-34, and NàdasCR. The previous ascription of ‘Deduto sey’ to Ciconia has now been overturned.

note: FallowsCat, 508; Diederichs, 90-99. Alternate cc. for ‘Tu che poi’ = ‘La vita della sgalera’ (Gall2). Lauda re. San Lorenzo. The differing versions of the music for ‘Con desiderio’ ed.: LuisiLG, ii, 28-35 (BU, Grey, Panc27, M18); CattinG, no.5 (Grey; w/notes on p. xviii); Diederichs, 296-303 (M18 facs., BU & Panc27). See WilsonMM, 172, 280-1 (BU). A different a3 setting of ‘Con desiderio’ (found in Cord w/lauda text ‘Ben lo sa Dio’ & ed. in ThibaultM, 4-5; see FallowsCat, 504-5) is related to the identical versions in Grey (ed. CattinG, no.22) & Panc27 (LuisiLG, ii, 32 & Diederichs, 302). Text of ‘Con desiderio’ ed. LuisiLG, i, 292-3. Cc. text entered in R2929, which was copied by 1448, and Mgl II.IX.58, copied by ca. 1415.

notes: FallowsCat, 537; CarboniE, 444; CattinR, 24; CattinNR, 228; GhisiStr, 56-60; HaarCM, 51-2. Music ed. LuisiLG, ii, 236-9 (with both texts; BU,MC); HanenE, no. 73 (EscB); PMFC11 , 92-5 (BU,MC); PopeM, no. 89 (MC; text ed. and transl. on 617); HaarCM,172-4 (BU); GhisiStr, 58-9 (excerpts from BU,MC). Further information on the cc. sources in part II of Gallo’s facsimile ed. of BU2216 (Bologna, 1970).