Ch266 (twice)

L’amor del tuo bel viso sì m’accora-a

Language: 

it

Lauda: 

L’amor di Jesù Cristo sì m’accora-a BaG (WxYz aBaBbCcZ)

Notes: 

note: alternate incipit (with same cc.) in Ch266 = ‘L’amor di Jesù Christo m’innamora’. Lauda text entered in R2929, which was copied by 1448.

Music Sources: 
Cantasi Come Sources: 
Ch266 (twice)

Deduto sey a quel che mai-a BaG:11

Language: 

it

Composer: 

Antonio Zacara da Teramo

Lauda: 

Nostr’ avocata se’ et sempre fosti
BaG:11

Notes: 

note: FallowsCat, 512-13; Fallows in VendrixC, 111-13; WilsonSC, 74. Music ed. in PMFC11, no.19, and 24, no.42. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 35; see CilibertiP, 23-34, and NàdasCR. The previous ascription of ‘Deduto sey’ to Ciconia has now been overturned.

Music Sources: 
Pz
BU
Faenza
Cantasi Come Sources: 
Ch266 (twice)

Ch’i’ m’ero adormentato cotanto dolcemente-a

Language: 

it

Lauda: 

Ch’ i’ m’ ero adormentato e nel peccato mortal-a BaG (xYxY ababbCcX)

Notes: 

note: Ch266 variant lauda title: ‘Io m’ero adormentata’, and variant endings in both cc and lauda titles: ‘m’ero/a, adormentato/a. Lauda in R2929 (copied by 1448), the 2nd line is ‘e nel pechato forte e la mortale’.

Music Sources: 
Cantasi Come Sources: 
Ch266 (twice)