M310

note: CattinR, no.141. Similar incipts in ModF.9.9 (‘Vedendo gli ochi mei la sepultura’, 98v-99r) and Per431 (‘Vederà l’occhi mei la sepultura’), and idential rhyme schemes and poetic form point to the versions in these sources as the correct cc. models for this lauda. The cc. sources agree on ‘Vedranno’. Music ed. Hernon, 406 (Per431, a4); La Face/BianconiGS, 361-2, & text ed. 218-19 (ModF.9.9); in her discussion of this strambotto on 114-17, she identifies the work as originating in Neapolitan circles, and cites variants among Neapolitan, Roman-Tuscan, and Paduan sources that demonstrate the works wide diffusion and its roots in oral tradition.

note: CattinCC,192; JeppesenF/ii,162; iii,153 (text); Carboni-ZiinoLM, 302; BridgmanM,196-7. Music ed. JeppesenF/iii, 264-5. P676 version lacks Ct. Cattin notes similarity to incipit in PetF/iii & PetF/v--’Prendo l’arme, amore ingrato’.

note: CattinCC,194; RostirollaB, 725. Cc. incipit apparently alludes to a different and probably secular poem.

note: cc. possibly related to Tromboncino’s ‘Ben che’l ciel me t’habbi tolto’ (PetF/ix). A 4-part setting of the lauda text is preserved in PetL/i, and is ed. in JeppesenL, no. 73. The musical settings of Tromboncino’s frottola and Pallaio’s lauda are unrelated.

note: Lauda text ed. LuisiLG, i, 263-4

note: RostirollaB, 675 (incipit for Anim1570); CattinCC, 196. Music ed. JeppesenL, 121 (PetL/i). The settings in the two musical sources differ.

note: CattinCC, 194-5. Cc in M310 is ‘Sommo diletto e vero amore’, probably a garbled version of Belcari’s title

note: cc. = carnival song, ‘Temporal fuor di natura’ (Canzona degli uomini d’arme), ed. SingletonCC, 21-2; BruscagliTCC, 1, 238. See also CattinCC, 196-7. Alternate cc. = ‘Peccatori Maria noi siamo’, w/music in Rz1563, (ed. Mancuso, no. 48) an indication that Razzi’s lauda may preserve the music not for the carnival song ‘Pescatori a lenza siamo’ (BaG), as suggested by MaceyB, 57, but for the carnival song ‘Temporal fuor di natura’. Cc. incipit in Rs424 reads, ‘Temporali fuor di misura’.

note: See CattinCC, 195-6. There is a different setting of the Castellani text by Dammonis in PetL/i, 7v-8r.; ed. LuisiLG, ii, 322-4.