PetL/i

note: also cc. for ‘Dammi il tuo amor Jesù benigno’, with setting in PetL/i,.

note: PetL/i preserves a setting of Belcari’s lauda, ed. JeppesenL, 145. ‘L’erba buona’ and ‘Ferrivecchi’ also linked as cc sources for ‘L’orazione è sempre buona’, a contrafactum of a Tromboncino frottola (‘Se ben hor non scopro el foco’), and transmitted in Grey w/Belcari’s ‘L’orazione’ text (ed. CattinG, no. 31) and in numerous sources (incl. BR230) w/frottola text. The settings of ‘Chi vuol pace’ in PetL/i and ‘L’orazione è sempre buona’ in Grey are both a4, but differ.

note: on ‘Jesù clement’ e pio’ see RostirollaB, 703; RostirollaLC, 831; facs. of Anim1577 (a3) in RostirollaTL, 32. Fabbroni’s lauda is transmitted in non-Florentine sources (including Animuccia) with music that differs from Rz1563.

note: Rz1563 transmits music for both ‘Da che tu’ (a2, which differs from Dammonis’ setting a4 in PetL/i; see ‘Da che tu-a’) and ‘Deh dolce redentor Jesù soccori a me’ (by Lorenzo Tornabuoni), though given the mixed 7- & 11-syllable lines of the latter, this is probably a different lauda from Tornabuoni’s ‘Deh dolce redentor’ in RC395.

note: cc. possibly related to Tromboncino’s ‘Ben che’l ciel me t’habbi tolto’ (PetF/ix). A 4-part setting of the lauda text is preserved in PetL/i, and is ed. in JeppesenL, no. 73. The musical settings of Tromboncino’s frottola and Pallaio’s lauda are unrelated.

note: RostirollaB, 675 (incipit for Anim1570); CattinCC, 196. Music ed. JeppesenL, 121 (PetL/i). The settings in the two musical sources differ.

note: lauda re. S. Stefano