PetL/i

note: both texts receive different settings in PetL/i; music ed. LuisiLG, ii, 26-7 (‘Como dinanzi a Christo fuzirai’), and 96-7 (‘O peccator moverati tu mai’). Text of ‘O peccator’ ed. LuisisLG, i, 287, with more irregular line lengths than version ed. in Gall3, p. 129, which is hendecasyllabic throughout. Text of ‘Come dinanzi’ is sometimes attr. to Giustinian, but it may predate him, and is found in (late?) 14thc. laudarios (like BML, Ashburnham 423, fol. 187r) where it is attributed to Jacopone da Todi; also entered in R2929, which was copied by 1448; ed. LuisiLG, i, 294-5.

note: ed. LuisiLG, ii, 186 (Panc27, à3), 87; JeppesenL, 117 (PetL/i). Giustinian text ed. LuisiLG, i, 365.

note: lauda re. Savonarola; entire Luschino text ed. & trans. in MaceyS, lvi-lvii; music ed. 90-3. See also MaceyB, 131f, where he proposes a link to Catherina de’ Ricci’s Savonarolan lauda, ‘Da che tu m’hai dimostro tanto amore’, which is clearly modeled on Belcari’s ‘Da che tu m’hai Iddio’.

note: Contrasting musical settings of Belcari’s text are transmitted in Rz1563 (a2) and PetL/i (a4), and ed. in LuisiLG, ii, 180-4 (Rz1563 & PetL/i); JeppesenL, no.57 (PetL/i); MaceyS, 87-9; Mancuso, 371-9 (Rz1563). Refrain & 1st stanza of Belcari text & entire Ricci text ed. & trans. MaceyS, lv-lviii. See also MaceyB, 132-5 (+CD) on Ricci’s lauda. See also ‘Da che tu m’hai Iddio’ as lauda w/cc = ‘Madre che festi’. Ricci’s lauda recounts her vision of Savonarola and miraculous cure in 1540, while she was a nun at the Dominican convent of San Vincenzo in Prato (the likely provenance of M365).

note: Lauda incipit in RA2274 reads ‘Quando ti desterai, o alma stolta’.

note: lauda re. St. James the Greater

note: lauda re. St. Anne

note: alternate cc. = ‘Ferrivecchi, ramivecchi’. PetL/i preserves setting of Belcari’s lauda, ed. JeppesenL, 145.

note: see ‘Ecco’l messia’ and ‘Ben venga Maggio-a’ as cc for musical settings applicable to ‘Nel tuo furore’. The 4-part setting by Dammonis in PetL/i is ed. in JeppesenL, no. 89, and preserves a version of the Savonarolan melody ‘Ecce quam bonum’.