PetL/i

note: 4-voice setting of lauda text in PetL/i. See ‘Jesù fammi morire’ as a frequently cited cc.

note: Dammonis setting of ‘O gloriosa’ ed. LuisiLG, ii, 87; text ed. Luisi, i, 365, though incompatibility of Grifoni’s and Giustinian’s poetic forms suggests that another lauda with this incipit is called for.

note: CattinR,29; CattinNF,202. Settings of Belcari’s text ed. CattinG,no.26 & LuisiLG, ii, 226-7 (Grey, but w/cc text underlaid as well); JeppesenL, p.136 (PetL/i). Different music in each source. Razzi transmits music with text ‘Lodate fanciulletii’in suon’e canto, followed by six other texts (Belcari’s ‘Ave del verbo’ & ‘Salve Regina’, plus four Razzi laude: ‘Ave stella del mar’, ‘Magnifica il Signor’, ‘Svegliati hormai’, & ‘Riposatevi in pace’).

note:lauda re. St. George. See ‘Dir pur’ as a lauda with cc. of ‘L’amor a me venendo’ & modo proprio, with possible musical settings in Pav362, PetL/i, Rz1563, and Ven. Text of cc. transmitted in Ch266 as a lauda without a cc.

note: Carboni-ZiinoLM, 279, where setting of lauda text in PetL/i is noted. Music ed. LuisiLG, ii, 325-7. Cc. text is probably that entered in R2929, no. 191 (‘O Signore dammi la morte’), which was copied by 1448.

note: ‘texoro’ in Triv535.

Note: music ed. LuisiLG, ii, 26-7 (‘Come dinanzi a Christo fuzirai’); text of cc. ed. i, 302, with incipit ‘Se per dileto tu cercando vay’. Cc. text also in Gall3. Lauda text entered in R2929, which was copied by 1448.

note: CattinCI, 419. Alternative cc. = ‘Mon seul plaisir’ & modo proprio. See ‘Madre’ as cc. for more extensive bibliography on this song; text entered in R2929, which was copied by 1448.