M178

De tous biens plaine R4:8 (abba)

Language: 

fr

Composer: 

Hayne van Ghizeghem

Lauda: 

Di tutto ben se’ fonte eterno Iddio
5:7/11 (ABAbX)

Notes: 

note: FallowsCat, 129-30; CattinCI, 424-5. Gall4 incipit = ‘Di tuo ben pleni’. Music ed. ThibaultM, 38 (Cord); PopeM, 320 (MC); PerkinsM, ii, no. 32 (Mel); HewittO, 263 (Odh, w/added CtA); JeppesenK, 7 (Cop); and others (see FallowsCat). For lists of later pieces based on Hayne’s song, see CMM74, xxxix-xli; ThibaultM, xcix, & MeconiA, 27. For a recent edition of 28 settings of ‘De tous biens’, see CyrusD.

Cantasi Come Sources: 

J’ay pris amours a ma devise-e R4:8 (abba)

Language: 

fr

Lauda: 

Vergine bella non mi abbando- nare-b Qr:11 (abba cddc effe)

Lauda Poet: 

Feo Belcari

Notes: 

note: cc. incipit = ‘Ian presamore’. Usual cc. for this lauda is ‘Gentil madonna’.

J’ay pris amours a ma devise-d R4:8 (abba)

Language: 

fr

Lauda: 

Madre che festi colui che ti fece-a
Qr:11 (abba cddc...)

Lauda Poet: 

Leonardo Giustinian

Notes: 

note: CattinCI, 419. Alternative cc. = ‘Mon seul plaisir’ & modo proprio. See ‘Madre’ as cc. for more extensive bibliography on this song; text entered in R2929, which was copied by 1448.

J’ay pris amours a ma devise-c R4:8 (abba)

Language: 

fr

Lauda: 

Laude e grazie in gentil core

Lauda Poet: 

Giovanni Santi?

Notes: 

note: OsthoffT, i, 35-7. Music probably = FallowsCat, version A (Col & Lab); sung at Urbino, 1474, with both the French and the lauda texts; preserved in wood intarsia in Urbino studiolo. Ed. OsthoffT, i, 34 (chanson text; partial transcription), 35 (lauda text).

Cantasi Come Sources: 

J’ay pris amours a ma devise-b R4:8 (abba)

Language: 

fr

Lauda: 

Con gran fervor Jesù ti vo cercando 5:11/7 (AbbAC)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: CattinR, no. 109; CattinCI, 424.

J’ay pris amours a ma devise-a R4:8 (abba)

Language: 

fr

Lauda: 

Canti gioiosi e dolce melodia-a
BaMn2/4:11 (xx aaax bbbx...)

Notes: 

note: see FallowsCat, 195-8 (cc. version probably Fallow’s ‘B’, transmitted in Pix as well as many non-Florentine sources); WilsonSC, 19; BrownM, 234; JeppesenL, xvii-xix; CattinCI, 424; CattinPav, 4. Music ed. in ThibaultM, 34 (Cord); HanenE, no. 121 (EscB), LuisiLG, ii, 24-5, 166ff (versions in BR229, M178, Panc27). Possible reworked versions in M176, M178; see MeconiA, passim. See also the older modo proprio setting of ‘Canti gioiosi [zoisi]’ ed. in LuisiLG, ii, 23 (Pav361); CattinPav, 12 (Pav361); Diederichs, 429 (Pav361). Lauda text attrib. to Jacopone da Todi in some sources. Text of ‘Canti gioiosi’ ed. LuisiLG, i, 293-4, and transmitted in Ch266, 224v, which means it was copied around mid-century.