PetL/i

note: Razzi transmits another lauda by him with similar incipit (‘Venga ogni cor ardente a lodar Maddalena peccatrice’), but different line lengths and its own musical setting a2 (see this title as a modo proprio).

note: laude re. S. Agnesa. Rz1563: ‘lauda d’una Vergine quando si appresenta il giorno del tuo martirio davanti a Christo..’

note: carnival song--’Canzona de’ Ferravecchi’. CattinR, 27; GhisiCC, 97. Text ed. SingletonCC, 5. PetL/i preserves setting of Belcari’s lauda, ed. JeppesenL,145. Alternate cc. = a ballo.

note: cc. title in R1502 is ‘Sposa diletta’, but must be the popular lauda ‘Questa sposa diletta’, which is formally compatible with Giustinian’s lauda. Both versions found throughout Ch266, where a much earlier musical setting than those above was intended.

note: according to BecheriniSR, 201, a lauda with the incipit ‘Vergine santa immacolata e pia’ concludes the Rappresentazione dell’Annunciazione.

note: setting of Giustinian’s text by Dammonis in PetL/i; music ed. LuisiLG, ii, 96-7. Text of ‘O peccator’ serves as a cc. for three different laude, ed. LuisiLG, i, 287, with more irregular line lengths than version ed. in Gall3, p. 129, which is hendecasyllabic throughout. Lauda text entered in R2929, which was copied by 1448.

note: Belcari’s text appears in Ch266 without a cc. (fol. 49v); ed. Lanza, i, 211-12.