LCS161

note: lauda re. St. Cecilia

note: alternate cc. = ‘Ben veng’amore’ in M365. See MaceyB, 104-7; ed. w/Savonarola’s text in MaceyS, 64-5

note: despite the similarity between this lauda incipit and another (‘Si ch’ i’ la vo seguire nessun’ altra offesa’), the latter is a secular song with a different form, and was set by Layolle and Cara.

note: see ‘Si ch’ i’ la...Magdalena’ as modo proprio (the cantus of the Rz1563 version is borrowed from a 5-part canzonetta (w/same incipit) by Francesco Layolle.

note: lauda re. Feast of Circumcision. See ‘Ben venga Maggio’ as cc. for a large group of lauda texts. Rz1563 transmits the text of this lauda, and the music underlaid with the text of ‘Ecco’l Messia’; ed. Mancuso, no. 9.

note: this lauda = cc. for two others in LCS161: ‘Si ch’i’ la vo seguire quel alma’, ‘Si ch’i’ la vo seguire et nessun’ altra’, and several others besides. The cantus of Razzi’s version is borrowed, intact, from the 2nd superius of Francesco Layolle’s 5-part ‘Si ch’io la vo seguire nessun’altra offesa’; ed. D’AcconeMFR, iii, no. 19. Text & music ed. Mancuso, no. 75. Cara’s musically independent 4-part setting of the same text (‘Si che la vo’seguire/e niuna alta offesa’) is in PetF/xi, and text and music are ed. in LuisiFr, no. 1; this text is formally identical to the others in the cc. sources, suggesting that these ‘Si ch’i’ la vo seguire’ texts are interrelated.

note: cc. for d’Albizo’s ‘O regina’ = modo proprio, and ‘Signor nostro da Pavia.’ Lauda re. St. Thomas Aquinas.

note: lauda re. San Vincentio

note: lauda re. St. Peter Martyr.