RC395

note: RostirollaB, 685. See ‘Ben venga Maggio’ as cc. for ‘Ben veng’amore’, with notes and musical sources.

note: Rz1563 transmits 4 different texts with ‘Jerusalem letare’ incipit (Razzi, Fabbroni [detto il Sordino], 2 by G. Battiloro), but the same music serves all 4. Rz1563 transmits this Battiloro text w/music (ed. Mancuso, 530-4), & M365 (137v) indicates this text is the modo proprio version. Battiloro lauda re. Ascension.

note: In Ferr84 cc. for ‘Occhi miei’ is = Castellani’s ‘Oimè, lasso, oimè, oimè’ (w/same melody for both). JeppesenF, ii; Carboni/ZiinoLM, 279; melody ed. 318.

note: Music & text ed. Mancuso, 549-52, though the music in Rz1563 is in fact derived from the 4-part setting of ‘Tambur, tambur’, with music in M121, CortP, & BR337 (see as a cc. title). ‘Tambur’ & ‘Oimè’ both function as a cc. for the lauda ‘E’ ll’ardera, l’abrucera’.

note: PrizerRC (text and music ed.), CattinCC, 213; GhisiCC, 67-70, w/music ed. 68. Sacred carnival song--Carro della morte, or Canzona de’ morti, attr. also to Antonio Alamanni; see SingletonCC, 238-9, BruscagliTCC,i, 57-88. Music ed. GallucciFFM, no.10; Mancuso, 570-8. Differs from another Castellani lauda, ‘Dolor, pianto e penitenza grida in terra Jeremia’, which Cattin believes to be a contrafactum of the ‘Canzona de’ morti’ (c. 1507).

note: see ‘Occhi miei’ as cc. Lauda re. vanitas. CattinCC, 212-13, where he speculates that it was common to designate as modo proprio a cc. of identical or similar incipit, in this case a frottola. The original model (and source of music) for Castellani’s lauda may be the anon. barzelletta ‘Occhi mia di lacrymare’ transmitted in BML Antinori 158 (text only), and BL.Eg3051 & M121 (text and music). The incipit in M121 is ‘Ochi ormai di lacrimare’; BlackburnTCS, 150.