PetL/ii

note: incipit ‘Dolce regina’ transmitted in Panc27; same music in Grey w/text ‘Ave dulcis, ave pia’, & PetL/ii w/text ‘Popule meus’ (ed. in JeppesenL, no.32 based on both sources). See CattinNF, 198. Unclear which was the model for the other, though in Grey the Latin texts tend to be the contrafacta, and if the ‘Dolce regina’ is the same as the ‘Dolce regina vergine Maria’ transmitted in Ch266, then this was likely the earlier setting. See this ‘Dolce regina’ as a lauda with several cc. models.

note: incipit ‘Dolce regina’ transmitted in Panc27; same music in Grey w/text ‘Ave dulcis, ave pia’, & PetL/ii w/text ‘Popule meus’ (ed. in JeppesenL, no.32, based on both sources). See CattinNF, 198.

note: ‘Latin lauda’, planctus Mariae; processional music for deposition during Holy Week. See PerkinsMAR, 452-6; MaceyB, 53; CattinR, 39, n.59.; CattinNF, 192-3; PopeM, 646-9; Diederichs, 230-7; CattinCI, 432-3. Musical variant in Razzi: ‘Cum autem venissent’, where he indicates that ‘le parole insieme col canto, sono antichissime’. Music of related versions based on same melody ed. PerkinsMAR, 453-6 (Razzi facs., Quadris, PetL/ii); CattinPav, 14 (Pav361); PopeM, no.120 (MC); JeppesenL, 8-9 (PetL/ii, ‘Quum autem’), Diederichs, 412-22 (Panc27, Grey, MC, PetL/ii), Mancuso, 620-4 (Rz1563). Quadris version (ca. mid-15thc.) publ. in Petrucci Lamentationum Jeremiae prophete liber primus (1506), ed. Cattin in Johannes de Quadris, Opere (Bologna, 1972), 71. In Grey, cc. is explicit by addition of lauda incipit ‘Peccator, pensa al tuo signore’, a link that is in turn confirmed by all the Florentine cc. sources; see CattinNF, 192-3. For complete list of musical sources, see PopeM, 646-7, & CattinNF, 192-3. In LA424, lauda sent to ‘Pierino vinitiano’.