B207

modo proprio

Language: 

it

Lauda: 

Anima pellegrina che d’amor
BaG:7

Lauda Poet: 

Leonardo Giustinian?

Notes: 

note: CattinNF, 200; Diederichs, 246-51. Music ed. CattinG, no.19 (Grey), w/notes on xxii; CattinCon, 68-9 (Pav361); Diederichs, 430-2 (Pav361 & Grey), and LuisiLG, ii, 12-14 (Grey,Pav361 & PetL/i versions, which are unrelated). B207 version, also unrelated to the others, ed. in EynardLP, 84-5. Text ed. LuisiLG, i, 287-8, and found in Gall3 without cc. Text entered in R2929, which was copied by 1448, so it is likely to have been known in Florence with a modo proprio setting (implied by its entry in Gall3 without a cc. title), possibly one of those transmitted in the above non-Florentine sources.

Music Sources: 
Cantasi Come Sources: 

modo proprio

Language: 

it

Lauda: 

O dolce amor Jesù quando sarò-b
BaG (XyyX AbAbbccX)

Lauda Poet: 

Giustinian/
Bianco da Siena

Notes: 

note: for bibliographic information on ‘O dolce’, see ‘Che credi fare amore’ (Ch266) as an alternate cc.

Music Sources: 
Cantasi Come Sources: 

Che credi fare amore-b

Language: 

it

Lauda: 

O dolce amor Jesù [quando sarò]-a
BaG (XyyX AbAbbccX)

Lauda Poet: 

Giustinian/
Bianco da Siena

Notes: 

note: Music for the similar a2 settings of ‘O dolce amor’ ed. in EynardLP, 76-7 (B207), and Diederichs (diplomatic transcr. of Ven, 401-3). Razzi transmits a vaguely related musical setting; ed. Mancuso, 733-8. Rz1563 & Ven versions ed. LuisiLG, ii, 83-5; text ed. i, 258-9. Cc. indication in Rs424 intended, but not entered. Lauda text entered in R2929, which was copied by 1448.

Music Sources: 
Cantasi Come Sources: