Pit

note: CattinSq, 250; WilsonSC, 75; PMFC12, 188; CorsiM. Music ed. MFCI 4, 15-16. None of the cc. references in this secondary literature to Petrarch’s madrigal can be verified. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 48; see CilibertiP, 23-34, and NàdasCR.

note: CattinSq, 250; WilsonSC, 74; Diederichs, 63. Ed. in PMFC4, n. 19.

note: CattinSq, 251; WilsonSC, 76; Diederichs 73, no. 113. Lauda text entered in R2929, which was copied by 1448.

note: CattinSq, 251; WilsonSC, 76; Diederichs, 73, n.113. Music ed. in PMFC9, 100-1 & MFCI4, 32.

note: CattinSq, 251;WilsonSC ,75. Ed. in PMF, iv, no.16; Diederichs, 63, 284.

note: R2871: ‘questa va in su donna si te fallito’. See CattinSq, 249; WilsonSC, 74; Diederichs, 63. Music ed. in PMFC4, 1. Given the early date of R2871 (c. late 14thc), the cc. link to Landini’s ballata is likely. However, 15thc. sources regularly cite another cc.: ‘S’io t’ò fallito, donna, mi dispiace’, a different trecento poem (BaMn:11), ed. in CarducciCBSM, 149-150. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 48; see CilibertiP, 23-34, and NàdasCR.

note: FallowsCat, 557; CattinSq, 249; WilsonSC, 73; Diederichs,65. Music ed. PMFC4, no. 97 & HoppinAMM, 162 (Sq); PMFC13, nos. 2, 33; WilkinsC, 70 (Rei).

note: in Ch266, ‘O peccatore’ designated as ‘fatta da Vanni [di Martino]’; on the tentative identification of ‘Vanni’ as the free-lancing lauda singer Vanni di Martino, see WilsonSC, 76-7. Lauda text entered in R2929, which was copied by 1448.

note: see CattinSq, 251.

note: see CattinSq, 249; WilsonSC, 73; Diederichs, 61-3. Music ed. in PMFC4, no.4. Cc. text ed. AgenoFS, 176. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 35, as ‘Non credo donna’; see CilibertiP, 23-34, and NàdasCR.