Pit

Note: CattinSQ, 249; WilsonSC, 74; Diederichs, 70. Music ed. in PMFC4, 82.

note: See CattinSq, 251; WilsonSC, 76; Diederichs, 69. Music ed. in PMFC8, 127; Diederichs, 286. Text also in R1666, but without cc.

note: FallowsCat, 509; NádasL, 41-2, 139; CarboniE, 450-1; WilsonSC, 73; FallowsLG, 251-3; Diederichs, 67. Music ed. in PMFC24, no.29; HoppinAMM, 173; ClercC xii, no.8 (Pit); LuisiLG, ii, 256 (T from P4376). Text and music are edited and discussed in A. Kreutziger-Herr, “Rethinking ‘Con lagrime’: Johannes Ciconia, Leonardo Giustinian and the Musical Text’, in VendrixC, 215-32. 4 intabulations in Bux also ed. in PMFC24, 180ff. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 35; see CilibertiP, 23-34, and NàdasCR. In R1764, cc. text attr. to ‘Messer Franciescho signior di padova’.

Note: = CattinSq, 250; WilsonSC, 74; Diederichs, 61. Rubric in R2224, ‘Cantasi come quella che dice Ogni huom faccia per se /chi non piu d’altrui c’altri di me’, which alludes more clearly to Soldanieri’s text than the rubric in Ch266: ‘va chome quella chanzona chew dice: Ongni uom faccia per sé, ch’i’ fo per me’, which also includes the alternate incipit ‘Ognium faccia per sé’.