FP

note: CattinSq, 250; WilsonSC, 75; PMFC12, 188; CorsiM. Music ed. MFCI 4, 15-16. None of the cc. references in this secondary literature to Petrarch’s madrigal can be verified. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 48; see CilibertiP, 23-34, and NàdasCR.

note: CattinSq, 250; WilsonSC, 74; Diederichs, 63. Ed. in PMFC4, n. 19.

note: CattinSq, 251; WilsonSC, 76; Diederichs 73, no. 113. Lauda text entered in R2929, which was copied by 1448.

note: CattinSq, 251; WilsonSC, 76; Diederichs, 73, n.113. Music ed. in PMFC9, 100-1 & MFCI4, 32.

note: CattinSq, 251;WilsonSC ,75. Ed. in PMF, iv, no.16; Diederichs, 63, 284.

note: R2871: ‘questa va in su donna si te fallito’. See CattinSq, 249; WilsonSC, 74; Diederichs, 63. Music ed. in PMFC4, 1. Given the early date of R2871 (c. late 14thc), the cc. link to Landini’s ballata is likely. However, 15thc. sources regularly cite another cc.: ‘S’io t’ò fallito, donna, mi dispiace’, a different trecento poem (BaMn:11), ed. in CarducciCBSM, 149-150. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 48; see CilibertiP, 23-34, and NàdasCR.

note: FallowsCat, 557; CattinSq, 249; WilsonSC, 73; Diederichs,65. Music ed. PMFC4, no. 97 & HoppinAMM, 162 (Sq); PMFC13, nos. 2, 33; WilkinsC, 70 (Rei).

note: see CattinSq, 250; WilsonSC, 7; Diederichs, 71, 291-3, where music & both texts are edited. The lauda text is found in 14thc. laudarios, like BML, Ashburnham 423, vol. 132r (where there is an attribution to Maestro Agnolo di Santo Spirito), and in R2929, which was copied by 1448.

note: see CattinSq, 251.

note: see CattinSq, 249; WilsonSC, 73; Diederichs, 61-3. Music ed. in PMFC4, no.4. Cc. text ed. AgenoFS, 176. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 35, as ‘Non credo donna’; see CilibertiP, 23-34, and NàdasCR.