Ch266

note: See CattinSq, 251; WilsonSC, 76; Diederichs, 69. Music ed. in PMFC8, 127; Diederichs, 286. Text also in R1666, but without cc.

note: Diederichs, 101f.; music ed. 306-9. Text of cc. ed. LuisiLG, i, 297; music ed. ii, 40 (Q15) and 41 (Pav361). Cc. text in Gall3.

note: See CattinSq, 248; WilsonSC, 73; Diederichs, 70. Music ed. in PMFC4, 80; music & both texts ed. Diederichs, 288-90. Cf. D’AnconaPP, 480, where incipit is given as ‘Di sospirar’; cc. text published in CarducciCBSM, 132 as ‘Di sospirar sovente/constretto son...’, where it is a male voice in a dialogue between a lady and her lover.

note: CattinSq, 249 cites Landini’s ‘De’ volgi gli occhi a me, donna’ as the cc. source for ‘Di virtù’, but Ch266 actually refers to a different, extant lauda text that survives in later 15thc. cc. sources, including Gall3 (see ‘Deh volgi gli occhi tuoi piatosi’ as a lauda).

note: the cc. line forms a refrain at the end of several verses of the song ‘Angiola tu mi fai/cantando, a te, venire’ in RA2435, pp. 112, but the form of this poem (7:7 [ababxx]) does not match the lauda. The cc. incipit appears not to refer to Bartolino da Padova’s setting of the ballata text, ‘Ama che t’ama e sempre abona fe’.

note: alternate cc.= ‘canti di ghalea quando si vogha’