Ch266

note: Ven preserves à2 setting of another lauda, ‘Alzando gli occhi, vidi nel oriente uno angelo nuovo’ (see Diederichs, 190f; music ed. 378-9). D’AnconaPP, 476 calls the cc. a ‘canzonetta a ballo di Ser Giovanni Fiorentino’. This 14thc. text is ed. in CarducciCBSM, 176-8, where it is attributed to Ser Giovanni Fiorentino, and derived from his Pecorone (1378).

note: ‘Chi serve’ performed in context of Belcari’s Rappresentazione di Abrame e Isacco (Florence, 1449), near the end of the play (lines 489-510), following the rubric: ‘...tutti insieme fanno un ballo cantando questa lauda: Chi serve a Dio...’ (3 stanzas, as in Gall1); see OsthoffT, i, 30-3; BecheriniSR, 199. Music ed. Osthoff, ii, 33; LuisiLG, ii, 186 w/lauda text ‘O gloriosa verzene Maria’. Text of ‘Amar non vo’ te’ entered in R2929, which was copied by 1448; ed. LuisiLG, i, 298.

note: on siciliane, see PirrottaMC, esp. chs. 4 & 5.

note: alternate cc. for ‘Deh sappiatevi...da cattive compagnie’ = ‘Deh sappiatevi guardare O garzon di non tor moglie’; see also ‘Sappiatevi guardare’

note: ‘O morte’ also a cc. for ‘In ciel con gran diletto’, which could also be sung to ‘Virgo Maria beata’. ‘Morte dispiatata’ in PM480 & Rs424.

note: text of cc. ed. in CarducciCBSM, 67-8, and in Rome, Biblioteca Angelica 2435, 133-4; D’AnconaPP, 96. Probably a late 14thc. or early 15thc. Florentine poem, judging from the reference to the (new) cathedral of Santa Maria del Fiore. Alternate cc. for ‘In ciel’ = ‘Virgo Maria beata’; alternate cc. for ‘Virgo Maria beata’ = ‘O morte dispietata’.

note: alternate cc. for ‘Alma che a vit’eterna’ = ‘Anima ingrata’. See CattinCC, 41, where he speculates this cc. may be related to the ballo ‘Ligiadra’.

note: variant incipits: ’L’amor ad me/a mi’. Concerning the cc., see GhisiUL, WilsonMM, 170-71, Diederichs, 212ff. Music ed. LuisiLG, ii, 54-7 (all extant settings); Diederichs, 393-5 (Ven,Pav361,PetL/i); WilsonMM,269-70 (Ven,Pav361,Rz1563); CattinPav, 10 (Pav361) and Mancuso, no. 24 (Rz1563). Text of ‘L’amor’ ed. LuisiLG, i, 291. See also ‘L’amor’ as lauda w/cc. = ‘Donna sti’ mie’ lamenti, identified in Gall3 as a ‘vinitiana’; this suggests that the modo proprio music associated with ‘L’amor’ may have something to do with the ‘aere vinitiano’. Cc. text entered in R2929, which was copied by 1448.