Dolor, pianto, e penitenza-c BaG4/6:8 xyyx ababbx

note: ‘Sequentia Sancti Vencentii martyris’. Though Razzi’s rubric calls for this Latin sequence (and three others besides) to be sung to the music of ‘Dolor pianto’, the incompatibility of the poetic forms makes this unlikely. Another rubric following the two ‘Laetabundus’ sequences in Razzi calls for them to be ‘cantasi come quella di Natale’, while a rubric sandwiched between two paraphrases of ‘Victimae paschale laudes’ (‘Virginis Catherinae’ & ‘Virginis Romane’) calls for these to be ‘cantasi come quella della resurrezzione di nostro Signore’. Thus each pair draws its music from the more famous Latin sequences for Christmas and Easter (respectively) on which they are textually modeled.