note: no cc. indication in the sources, but identity of form, opening lines and ryhme scheme indicate that the secular song ‘Fin che vivo et poi la morte tamera el tristo core’ was the model for Giambullari’s lauda, and the source of its cc. music. Settings of cc. survive a3 (P676, P1597) & a4 (ModF.9.9 & Per431). Music ed. Hernon, 380-3 (Per431); La Face/BianconiGS, 309-12, and text ed. 207-8 (ModF.9.9; ‘Fin che vivo...’). Cc. text ed. A. Saviotti, Rime inedite del secolo XV (Bologna, 1893), 30.
