note: see AtlasN, 147-8 (where he argues for the Neapolitan provenance of the cc.); AtlasRM, 202-3; PrizerWC, 409, where he notes that the cc. text was recorded in BML, Antinori 158, a Florentine collection of poesia per music dating from ca. 1505-8. Music ed. AtlasN, 223 (Per431); AtlasRMA, 149. For doubts about Serafino’s authorship of the music, see CattinNR, 235, no. 47. The only evidence that this lauda and its singing model may have been linked in Florence is the presence of the cc. text and music in the Florentine source M121, and the tendency for lauda contrafacta in north Italian sources to have Florentine connections.
