note: though the lauda is transmitted in Pal120 and R196 with a cc. of modo proprio, the poetic model is clearly Petrarch’s canzone, ‘Be mi credea passar mio tempo omai’, of which there is a musical setting by Tromboncino in PetF/xi, ed. LuisiFr, no. 7. Tromboncino’s cantus in this piece is unusually declamatory, more reciting tone than full-fledged melody.
