note: BlackburnTCS, 126-7; La Face/BianconiGS, 184; D’AnconaPP, 476; OsthoffT, i, 73-7, where he discusses the lauda in its theatrical context, Lorenzo’s Rappresentazione di San Giovanni e Paolo. Francescso Buonacorsi’s Florentine print of ca. 1485-90 is accompanied by the rubric ‘cantasi come Amore io vo fuggendo, e ancora [h]a uno modo proprio composto per Isac’. Thus, both Lorenzo’s lauda and its cc. models must predate 1490. Music for both versions (& text of ‘Vieni’) ed. in OsthoffT, ii, 138-40 (ModF.9.9; M121). Lauda text ed. ToscaniL, 99-102, and in DucciniL, 202-10, with extensive commentary.
