note: The cantus of the cc. setting found in Rz1563 is borrowed, intact, from the 2nd superius of Francesco Layolle’s 5-part ‘Si ch’io la vo seguire nessun’altra offesa’; ed. D’AcconeMFR, iii, no. 19. Cc. ed. in Mancuso, no. 75 (Rz1563). Cara’s musically independent 4-part setting of the same text set by Layolle is in PetF/xi, and text and music are ed. in LuisiFr, no. 1, and in PrizerCP, 449-51 (see also BoormanOP, 1020); this text is formally identical to several others in the cc. sources with a similar incipit, suggesting that these ‘Si ch’i’ la vo seguire’ texts are interrelated. See this cc. title as a lauda with a modo proprio setting.
