CS1547

note: cc. has ‘aria propria’ in CS1548; music is transmitted in BNF, Mgl.XIX.138, fols. 4v-5r, an early 17thc. collection of “laudi, arie e danze intavolate per cembalo’ (BecheriniCat, 59).

note: rubric = versi della passione che si cantano nel secondo tuono.

note: Music & text of Razzi’s lauda ed. Mancuso, 611-15. Lauda re. S. Antonio. See ‘Vo’ gir a Roma’ as cc. for ‘Vo’ gir all’hermo’.

note: RostirollaB, 746-7; Lincoln, 807 (‘S’a la mia trista vita’).

note: Music & text of cc. ed. Mancuso, 598-600. Rubric in Rz1563 reads: ‘Lamento della Maddalena al sepolchro di Christo’.

note: cf. ‘Anima ingrata’ as cc. for ‘Miseremini mei’, and ‘Miseremini’ as cc. for ‘O Jesù a’ tuo’ piedi’. Lack of cc. in Rs424, R2896 implies the modo proprio indication found in RC395. See CattinCC, 199-200, music (a3) ed. 220-222. Lauda also entered (w/out cc.) in Ferr84. The music found in 1531/4 is in fact for a secular text (‘Miseremini mei...I’ son proprio la sciagura’) that CattinCC,199 argues was the model for Castellani’s lauda, and form of which is more compatible with the lauda text than is the text of ‘Anima ingrata’.