1534/16

note: EinsteinIM, 249. Music ed. EinsteinIM, iii, no. 17 (text ed. p. xv), and OwensSM, xxix, 120-123. According to JeppesenF, ii, incipits in the above music sources are ‘Ogn’ hor per voi sospir’, most likely a reference to Verdelot’s madrigal given the preponderance of Verdelot madrigals among the cc. indications in this source. Lincoln, 691.

note: Music of cc. ed. in SlimG, ii, no. 4; text ed. p. 441. There are later settings of this text by J. Gero (1543), V. Ruffo (1553), and A. Molino (1568). The poetic forms of lauda and cc. model are compatible if the three pairs of 7-syllable lines in Machiavelli’s poem are resolved into single endecasyllabic phrases.