BR230 (a4)

note: CattinR, 20; carnival song, ’Canzona delle Zingane’. Music ed. D’AcconeMFR, ii, no. 6. & GallucciFFM, no.39. Cc. text ed. SingletonCC, 287.

note: Carnival song, the ‘Canzona de’ cacciatori’. CattinCC, 206-7, where he notes that there are several Canzone (or Canti) de’ cacciatori, but this one is the most poetically compatible with the lauda. Music ed. GallucciFFM, no.15; text in SingletonCC, 109.

note: CattinCC, 203; GhisiCC, 75-7. Carnival song--’Canzona del secol’ d’oro’ = ‘I sette trionfi del secol d’oro’ = ‘Trionfo della Compagnia del Broncone nella venuta di Papa Lione’; written by Nardi for accession of Pope Leo X in 1513. The Compagnia del Broncone was a group of gentlemen under the leadership of Lorenzo de’ Medici (grandson of Magnifico). Music ed. in GallettiFFM, no.12, & GhisiCC, 76. Text ed. SingletonCC, 250; text & music ed. & discussed in more detail in CummingsP, 22-30. Castellani’s lauda not to be confused with Pandolfini’s of very similar title. For a description of Nardi’s float, see GallettiFFM, xv.

note: CattinCC, 212, partial ed. of music with cc. text on 226-7 (BR230). Cc. possibly related to P. Cesena’s frottola ‘A la fè, per la mia fè’ (PetF/v & PetF/1511), or ‘A la fè si a la fè bona’ (PetF/iii, P676, Q18, P27; see CesariLF where the music of PetF/iii is ed. on 131, the text on 46), though the 6-line stanzas & octosyllabic verse of the latter make this the unlikely cc. model. See ‘Oimè, lasso, oimè’ as cc. and modo proprio with settings in Ferr84 & BL.Eg3051 (w/text ‘Occhi miei di lacrimare’]. RA2435, pp. 105-6 transmits an ‘Alla fe, che la tua fe’/sempre mai falsa sarà’ with the form Ba4/7:7/8 (xyyx ababbyy), which is nearly identical to the form of the ‘Oimè lasso’ and related poems.