note: the cc. text is transmitted in a mid-15thc. manuscript in the Biblioteca Marucelliana, Ms. C.256, and was still known in Florence during the early 16thc., for it was included in a Florentine print dated 1545. See S. Ferrari, Il contrasto della Bianca e della Bruna, «Giornale storico della letteratura italiana», V, 1885, 352-98; the cc. text is ed. on p. 398. The rhyme schemes of the ripresa in both poems are identical.

note: carnival song, ‘Canzona de’ Fornai’. Text ed. BruscagliTCC, i, 24; OrvietoCC, 76-7 (ca. 1474-78).

note: carnival song, ‘Canzona del Fagiano’ (‘El fagiano’ in Gall3); text ed. SingletonCC, 130-1; BruscagliTCC, ii, 438. Lorenzo’s lauda text is ed. in ToscaniL, 79-83, and in DucciniL, 162-72, with extensive commentary.

note: see ‘Amore io vo fuggendo’ (w/music in M121 & ModF.9.9) as cc. for ‘Vieni a me peccatore’.

note: cc. probably a carnival song, and though possible candidates are Guglielmo Angiolini’s Trionfo del Lauro (’Pose natura ogni cosa mortale’; SingletonCC, 223) and Antonfrancesco Grazzini’s ‘Canto de’ Poeti’ (‘L’abito nostro, donne, e la corona/ch’abbiam d’alloro..’; ed. SingletonCC, 419), neither is a good match formally with Marzocchini’s lauda.

note: on Lorenzo’s lauda, see DucciniL, 120, 156-62 (text edited with extensive commentary); ToscaniL, 76--8 (ed. of text).