note: Gall4 cc = ‘A cavallo, a caval, Pavia, Pavia’. Cc. penned into Pal117 as an apparently later addition.

note: ‘O lasso amme tapino’ is sometimes the cc., as for ‘Venga ciascun’ in Gall1. Lauda text survives from late trecento sources.

note: lauda re. St. Zenobius

note: CattinRP, 388-9 (where he notes the existence of ‘twin’ poems by Poliziano with the same incipit: ‘I’ seminai il campo e altri miete’, and ‘I’ seminai il campo, un altro miete’); D’AnconaPP,484.

note: lauda ‘contra agli Ebrei’, by Maestro Giovan Battista medico della Barba. Lauda consists of strophes linked to two previous laude in Gall2, ‘Eran pastori’ & ‘Vidi virgo Maria’, which share rhyme scheme and cc. models. Presumably the refrain of ‘Vidi virgo Maria’ serves also the strophes of the subsequent two laude that follow in all sources, and seem to be additions (‘aggiunta’) to ‘Vidi virgo Maria’.

note: Lauda possibly related to ‘Ora mai’ complex of songs advocating the monastic retreat of young Florentines (see WilsonHM), and intended primarily for performance in the Company of the Purification at San Marco. The related subject of the carnival song model, the ‘Canzona delle ninfe e de’ vecchi’ is a dialogue between young and old.