Cas794

note: Giustinian text ed. Wiese, 385f. See Belcari’s lauda ‘Salve regina’, with musical settings in Grey, Rz1563, & PetL/i, for possible musical settings of ‘Ave del verbo/cielo’. Giustinian’s poem is briefly discussed in HaarE, 33.

note: On the interrelated complex of ‘Viva viva’ songs related to the Savonarolan carnival of 1496, see MaceyB, 61-73 (Giambullari’s ‘Vivi vivi in contrizione’ is not mentioned here, but it surely belongs to this complex of songs).

note: CattinCC,197; RostirollaB, 760.

note: see ‘Vieni a me’ as a laude with Serafino Aquilano’s ‘Amore io vo fuggendo’ as a cc. for information on Lorenzo’s lauda.

note: La Face/BianconiGS, 216; PrizerCP, 110; BoormanOP, 957. Music ed. La Face/BianconiGS, 342-4 (ModF.9.9), and PrizerCP, 502-4 (P676). Panc27 incipit = ‘Oyme’. Gall4 lists this lauda incipit and cc. title, but with a cross-reference to a text in Gall2 (p. 72) attr. to Belcari, with the incipit ‘Tutto se’ dolce, Iddio, Signore eterno’ (Str:11), and 2 stanzas drawn from Belcari’s Rappresentazione d’Abramo e Isacco (1449). It is quite likely that the two incipits refer to the same poem, as all (including the cc.) involve the same Str:11 form. Music attributed in Panc27 to ‘Marcetus’ (Marchetto Cara). Not to be confused with a frottola setting by Michele Pesenti of ‘Aime ch’io moro, aime ch’io ardo’ (PetF/iii).

note: PetL/i transmits 4vv. settings of both texts, both by Dammonis, with some melodic similarities between the two. Music ed.in LuisiLG, ii, 334-5 (‘Jesù fammi morire’), & 351 (‘Se vuo’ gustar l’amore’).

note: syllable count of the lauda is: 7/7/7/7 7/7/7/7/7/7/5/5/11/7, which is marginally compatible with Giambullari’s carnival song.

note: in LA424, sent to ‘frate Lorenzo de’ Ricci in Santa Maria Novella’.