Cap

note: JeppesenF, ii, 213. Music & text of cc. ed. LuisiFr, no. 26 (notes on 35, 43-4, and text ed. 61-2); EinsteinCS, 52; LuisiMVR, 284-5; SpartiW, 159-60 (& discussion of ‘Che faralla’ as a ballo adaptation on 144-5). Music & lauda text in Rz1563, ed. Mancuso, 542-5, & LuisiFr, 282. The two-part version in Razzi freely adapts the cantus & tenor of Pesenti’s frottola setting. In Pal169, the lauda text is presented with the form Ba4/6:5/8 (xxYy aaYBBY). Text also ed. and discussed in D’AnconaPP, 94-5.

note: JeppesenF, ii, 213. In fact, original modo proprio must be the secular frottola, ‘Che faralla, che diralla quando la saperà’ (see as cc.); music & text ed. LuisiFr, no. 26, notes on 35, 43-4, and text ed. 61-2; EinsteinCS, 52; LuisiMVR, 284-5; SpartiW, 159-60 (& discussion of ‘Che faralla’ as a ballo adaptation on 244-5). Music & lauda text in Rz1563 ed. Mancuso, 542-5, & LuisiFr, 282. The two-part version in Razzi freely adapts the cantus & tenor of Pesenti’s frottola setting.