Yale179

note: Lauda re. circumcision. Lauda may be related to Savonarola’s ‘Jesù sommo diletto e vero lume’ & Belcari’s ‘Jesù dolce conforto e sommo bene’ (& their musical setting), or may be erroneous version of Castellani’s incipit,‘Jesù sommo conforto e vero amore’, w/music in Rz1563

note: Carboni-ZiinoLM, 283. Lauda re. Sant’Agnese.

note: Fenlon/HaarIM, 141 (Verdelot), and 305 & 324 for two other anonymous, early settings; (Lincoln, 693 & 888, where he notes later settings by Marenzio & Lambertini). Music ed. OwensSM, xxx, 122-124.

note: Fenlon/Haar, 140 (concordant sources); JeppesenF, ii; Lincoln, 693 (incipits).