note: WilsonSC, 73. Lauda text ed. VaraniniRS, 31-2, 179f. Gall3 attributes the lauda to Messer fra Giovanni Dominici Cardinale Fiorentino, as does A. Tartaro, Il primo Quattrocento italiano, Bari, Laterza 1971, 105-7 (ed. of text).
Venite con amore a la cena novella BaG4/10 (xyyX abCabCcddX)
Lauda Poet:
Neri Pagliaresi
Notes:
note: WilsonSC, 76. Pagliaresi text ed. VaraniniRS, 30, 173f. In Ch266, cc. for ‘Dimmi’ is ‘Il primo di maggio canta l’uciel’. First four lines of cc. , a ‘lauda-ballata’, are interpolated into Sercambi’s Il Novelliere, XL, 5.
A uccella preziosa di Dio padre
BaMz:11 (xyy ababbyy)
Notes:
note: the first few words of the cc. incipit are difficult to read, but the legible portion (‘...son pargoletta bella e nova’) and the identity of the rhyme schemes leave no doubt about the match. This is the only known poem by Dante used as a singing model in the cc. repertory. Dante’s text is ed. in Opere di Dante, iii: Rime della maturità e dell’esilio, ed. M. Barbi and V. Pernicone, Florence, Le Monnier 1969, 472-7.
note: rubric in h266, 122v reads, ‘Initium santi evangieli secundum Johannes/cantasi al modo de vangiele di quaresima’; lauda re. St. John the evangelist.