note: Rs424 = ‘Anzola tu mi fai’. Text of cc. ed. in D’AnconaPP, 93-4. Alternate version in some sources is ‘Angela che mi fai’. RA2435, pp. 112-13, transmits a version of what is probably the original secular text to which the cc. incipit refers: ‘Angiola tu mi fai/cantando, a te, venire/et bellezze ch’ai/non te le posso dire’.

note: Rest of cc. title in M690 reads, ‘pensa del tuo dormir’. Alternate cc. = ‘Chi vedesse el carmignuola’

note: Grey transmits a rather contrapuntal a3 setting of the ‘oration Hieremie prophete’ (ed. CattinG, no.38), which resembles an anon. lamention in Petrucci’s 1st book of Lamentations (Venice,1506); it is more likely that the cc. refers to an intonation formula used in Florence, than that Petrucci’s lamentation prints preserve some version of the music once sung in Florence for penitential and lenten lauda texts.

note: in M119 cc. incipit is ‘Sempre aro nel chor .’

note: the form of this and the other laude paired with this cc. are unusual, and might also be construed as a BaMz3/9:11 (xyy abcabccdd), with a refrain unrelated to the strophe by rhyme.

note: Triv535 also transmits lauda ‘Chiara stella’. Cc. is a lauda devoted to Mary Magdalen. The lauda text is transmitted in R2929, a collection copied in 1448.