Rz1563 (a2)

note: CattinCC,194, 205-6; MaceyB, 55, 84; Carboni-ZiinoLM, 281; RostirollaB, 730. Music ed. MaceyS, 43; Carboni-ZiinoLM, 321; Mancuso, 493-6. Rz1563 rubric: ‘cantasi come Ogni giorno tu mi di’. In Pal169, ‘Ogni giorno’ listed as lauda w/cc = Castellani’s ‘Tu mi di’ ch’io non morrò (Pal169), which in turn has a cc. = ‘Rendo l’arme al fiero amore’ (R196). Castellani’s laude ‘Non fu mai più dolce’ and ‘Ogni giorno’ share ‘Franza, Franza, viva Franza’ as cc., suggesting that this Carnival song is the original text for Razzi’s music (ed. w/carnival song text in MaceyS,42).

note: lauda re. St. Catherine, martyr

note: music and Malatesti text ed. Mancuso, no. 33.

note: lauda re. St. Simeon/presentation in temple

note: lauda re. Assumption

note: Rz1563 transmits 4 different texts with ‘Jerusalem letare’ incipit (Razzi, Fabbroni [detto il Sordino], 2 by G. Battiloro), but the same music serves all 4. Rz1563 transmits this Battiloro text w/music (ed. Mancuso, 530-4), & M365 (137v) indicates this text is the modo proprio version. Battiloro lauda re. Ascension.

note: lauda re. Purification

note: music & text ed. Mancuso, 368-70. Lauda re. St. Cecilia. See ‘Io sent al cor’ as cc., with related settings linked to to other texts. Razzi states that this was his first lauda, written while he was still a novice at San Marco, where he took his habit in 1549.