Rz1563 (a2)

note: CattinCC, 194; MaceyB, 55; MaceyNC, 150-2; RostirollaB, 724. Gall4 cc = ‘Franza è Franza’. Carnival song, the ’Canto di Fransegi’; text ed. SingletonCC, 12-13. Alternate cc. = ‘Ogni giorno tu mi di’, for which Rz1563 transmits music. Lauda re. Passion/crucifixion. Related laude that might have been sung to the same cc. are ‘Non fu mai più bel sollazzo’ (G. Benivieni) & ‘Non fu mai più bel convito’ (M365). Music (Rz1563) ed. Mancuso, 493-6; MaceyS, 42-4 with texts of ‘Non fu mai...dolce amor’, Benivieni’s ‘Non fu mai el più bel solazzo’, & ‘Franza, Franza’.

note: cc. for ‘Tu mi di’ = ‘Rendo l’arme al fiero amore’ (R196), w/music in Triv55 & P676. CattinCC, 200, 205; see ‘Ogni giorno’ as cc.

note: CattinCC,212. Alternate cc. = ‘A la fe’ che la tua fe’. See ‘Oimè, lasso, oimè’ as cc. and modo proprio with settings in Ferr84 & [BL.Eg3051]. RC395 also lists ‘Oimè’ as cc. for ‘Ogni giorno’!

note: CattinCC,194; alternate cc. = the carnival song ‘Franza è Franza [Franza, Franza, viva Franza] (Gall4). Lauda re. Passion/crucifixion; see MaceyB,55. Music (Rz1563) ed. Mancuso, 493-6; MaceyS,42-4 with texts of ‘Non fu mai...dolce amor’, Benivieni’s ‘Non fu mai el più bel solazzo’, & ‘Franza, Franza’.

note: lauda re. Passion

note: cc = Canto dell’imperatore or Canzona de’ tedeschi. ‘Giovani’ also cc. for ‘Chi non ama te, Maria’, with music a2 in Rz1563.

note: MaceyB,55,85-6; MaceyNC, 148-150. Cc. = the carnival song ‘Canto dell’imperatore’, or ‘Canzona de’ tedeschi’ in CarraiCA--the text mentions King Maximilian, who became Holy Roman Emperor in 1493. Text ed. SingletonCC, 86. Music w/both texts ed. in MaceyS, 45-7, w/commentary on p.226, & 1st 2 stanzas of texts ed. & translated on xxxviii-xxxix. Lauda in Rz1563, ed. Mancuso, 346-50. Of the many carnival songs drawn upon in M365, this is the only one that belongs to the pre-1500 tradition.

note: see ‘Ogni giorno’ as cc.

note: Razzi transmits another lauda by him with similar incipit (‘Venga ogni cor ardente a lodar Maddalena peccatrice’), but different line lengths and its own musical setting a2 (see this title as a modo proprio).