Gall4

note: Gall4 rubric = ‘cantasi in sul canto di...’; ‘lauda in onore di Santa Maria in Pruneta [Impruneta]’. The cc. incipit may refer to the lauda ‘Rallegrati Maria’, found in Ch266.

note: CattinCC, 198. Music & text of cc. ed. Mancuso, 688-93; MaceyS, 68-9. Incipit often cited as ‘O Jesù sommo...’. See MaceyB, 109-112; CattinCC, 194-5. See ‘Leggiadra damigella’ & ‘Molto m’annoia’ as cc. sources for Belcari’s Jesù sommo diletto.

note: Music ed. LuisiLG, ii, 4-5; text ed. i, 289-90. Diplomatic transcription in Diederichs, 404-5.

note: the cc. text is transmitted in a mid-15thc. manuscript in the Biblioteca Marucelliana, Ms. C.256, and was still known in Florence during the early 16thc., for it was included in a Florentine print dated 1545. See S. Ferrari, Il contrasto della Bianca e della Bruna, «Giornale storico della letteratura italiana», V, 1885, 352-98; the cc. text is ed. on p. 398. The rhyme schemes of the ripresa in both poems are identical.

note: Gall4 cc = ‘A cavallo, a caval, Pavia, Pavia’. Cc. penned into Pal117 as an apparently later addition.

note: RC395 lauda title = ‘Non por punto l’amore, anima mia’

note: Lorenzo’s lauda is ed. in ToscaniL, 90-92 (on p. 33 he suggests the lauda was composed in 1491), and in DucciniL, 184-90, with extensive commentary.

note: CattinR, no.141. Similar incipts in ModF.9.9 (‘Vedendo gli ochi mei la sepultura’, 98v-99r) and Per431 (‘Vederà l’occhi mei la sepultura’), and idential rhyme schemes and poetic form point to the versions in these sources as the correct cc. models for this lauda. The cc. sources agree on ‘Vedranno’. Music ed. Hernon, 406 (Per431, a4); La Face/BianconiGS, 361-2, & text ed. 218-19 (ModF.9.9); in her discussion of this strambotto on 114-17, she identifies the work as originating in Neapolitan circles, and cites variants among Neapolitan, Roman-Tuscan, and Paduan sources that demonstrate the works wide diffusion and its roots in oral tradition.

note: CattinCC,192; JeppesenF/ii,162; iii,153 (text); Carboni-ZiinoLM, 302; BridgmanM,196-7. Music ed. JeppesenF/iii, 264-5. P676 version lacks Ct. Cattin notes similarity to incipit in PetF/iii & PetF/v--’Prendo l’arme, amore ingrato’.

note: CattinCC,194; RostirollaB, 725. Cc. incipit apparently alludes to a different and probably secular poem.