Soto1589

note: RostirollaB, 712; Carboni-ZiinoLM, 279. Music ed. Mancuso, no. 47 (Rz1563); RostirollaTL, 28 (which differs from the setting in Rz1563); RC395 (tenor only, which matches tenor of Rz1563). Cc. text attr. to A. Bettini in M365. Ferr84 melody is a version of Razzi’s melody; both ed. in Carboni-ZiinoLM, 329. 1589/2 transmits a3 setting identical to Anim1577, except with shortened cadential melismas for the first stanza, and (as in Rz1563) a musically independent ‘seconda parte’ for the 2nd stanza. See ‘Io mi trovo’ as modo proprio. The Roman sources transmit and set to music only the refrain text of ‘Io mi trovo’, which in this condition is used as a formally compatible singing model for laude with the form of CapQ (AbbA...).

note: RostirollaB, 697-8. Anim1577 transmits a 3-part setting of Razzi’s text, with a melody vaguely similar to that in Rz1563. Rz1563 text & music ed. Mancuso, 441-3; facs. of Anim1577 version in RostirollaTL, 29. Anim1577 setting reprinted in 1583/3, 1585, & 1589/2.

note: see ‘Signor per la tua fe’ as a modo proprio.

note: CattinR, 43, no.70; RostirollaB, 703-4; RostirollaLC, 774 . There is a monodic setting of ‘Anima benedetta’ in Ven145, a different 2-part version in Pal472 (ed. Diederichs, 408), & 4-part setting in Anim1563. All 3 are ed. in LuisiLG, ii, 6-7. 1589/2 lists 12 lauda texts to be sung to the music of ‘Jesù nostro riscatto’ (which is unrelated to the extant settings of ‘Anima benedetta’), among them ‘Ogni giorno tu mi di’ & ‘Anima benedetta da l’alto creatore’.

note: CattinCC, 214-15; RostirollaB, 744 (‘Quanto è stolto’); RostirollaLC, 781, 834 (‘Io ti lascio’). Alternate cc. = ‘Giovanetti con fervore’, in turn linked to ‘Ora mai’ music. Music in Anim1577 for ‘Io ti lascio’ and ‘Giovanetti’ adjacent, but different, and neither resembles traditional music of ‘Ora mai’ complex.

note: CattinCC, 205; RostirollaB, 730 (‘Ogni giorno’). Setting a3 in Anim1577 (facs. in RostirollaTL, 23) & 1589/2 appears to be unrelated to the a2 setting of ‘Ogni giorno’ in Rz1563 (ed. Mancuso, no. 42). See ‘Ogni giorno’ as cc. 1589/2 lists 12 other lauda texts to be sung to the music of ‘Jesù nostro riscatto’, among them ‘Ogni giorno tu mi di’ & ‘Anima benedetta da l’alto creatore’.