Cas794

note: Carnival song--’Canzona degli uomini d’arme’.

note: CattinCC, 200. Carnival song--’Canzona degli uomini d’arme’. See ‘Peccatori Maria’ (music in Rz1563) as cc. paired w/’Temporal fuor di natura’.

note: Music ed. La Face/BianconiGS, 363-5, & text ed. 219 (ModF.9.9). Incipit in ModF.9.9 is ‘Laudato idio die usi [usci?] de le tue trame/o bella cosa che è la libertade’, and the similarity of rhyme, form and subject matter suggest that this secular poem was the model for the lauda, and its music the intended cc. source. La Face/BianconiGS, 291 lists a title in a concordant literary source as ‘Laudato Dio che son fuor di toi trame’, much closer to that given in the Florentine cc. sources.

note: 4-part setting by Dammonis in PetL/i ed. in JeppesenL, no. 91.

note: see PrizerF, 24-5, where he cites 1494 letter from Don Acteon to Francesco Gonzaga re. having learned ‘L’ocelo da le rame d’oro’ from Pietrobono. Part of a complex of ‘bird-song strambotti’ within the frottola repertory. Popular text and tune set by Cara (& tenor also included in Pesenti’s ‘Io son l’ocel che con le debil ali’, in PetF/viii). Music ed. SchwarzOP, 45, 100; and transmitted in Rz1563 w/anon. lauda text, ed. Mancuso,702-5. See also PrizerI, 28-9 and LockwoodMRF, 107-8.

note: ‘Molti son’ = modo proprio in Gall2. See ‘Jesù fammi morire’ as cc. for ‘Molti son’, w/music in PetL/i. In LA424, lauda sent to Maffeo Gherardini.

note: incipit given as ‘Poi che in gaudio siemo’, but must be same cc. as that for another lauda by Lippi (adjacent in the cc. sources), ‘Poi [Po’] che in festa e gaudio siamo’.

note: cc. also called ‘La farunfera’. See GallicoRM, 80, w/music incipit for ‘El cervel mi fa zorno et nocte et sera’; JeppesenF, ii,156-7, w/Mad.2.1-5 incipit as ‘El cervel mi fa nocte’.