Cas794

note: GhisiCC, 92 gives the alternate title of this possible carnival song as the ‘Canto de’ votacessi’, and attributes it to Lorenzo de’ Medici. A 4-part setting of Tornabuoni’s lauda text is ed. in JeppesenL, 154-5. Alternate cc. for this lauda is Tornabuoni’s ‘Canzona dell’insalata’, possibly a reference to the same carnival song.

note: lauda author = Fra Pietro Antonio di Santa Maria Novella; alternate cc. = ‘Ora mai sone in età’.

note: FallowsCat, 551; CattinNR, 232. Music ed. in PopeM, 506-7, text and discussion on 658-9 (MC). Acc. to PopeM, 658, cc. possibly related to ‘Tyempo bueno, tyempo bueno’ of Matteo Flecha the elder.

note: D’AnconaPP, 480. Carnival song, ‘Canzona del Trionfo della Pudicizia’; text ed. SingletonCC, 63-5.

note: See CattinS, 271-3. Cc. refers to Belcari’s Rappresentazione d’Abramo e Isacco, 1449, and alternate cc. of ‘ballo’ & ‘gli strambotti’ may be part of a single cc. indication, and may refer to one of the melodic formulas used to recite Florentine strambotti. The lines appear in the play at the moment when Isaac descends from (not ascends) the mountain (lines 393-408 in Belcari’s play).

note: in LA424, lauda sent to ‘Jacopo di Luigi de’ Morsi’.

note: FallowsCat, 559 (where he notes that the attribution of the cc. to Poliziano is no longer tenable); La Face/BianconiGS, 189. Music of cc. not extant, but of the many text sources most appear to be of Florentine provenance. The cc. text was also recorded in BML, Antinori 158, a Florentine collection of poesia per music dating from ca. 1505-8; see PrizerWC.

note: FallowsCat, 557. 3-part setting in MC ed. PopeM, 313, with commentary on 608.

note: FallowsCat, 518-20; CattinNF, 206 (esp. n.50 for bib.); CattinR, no.108; RostirollaB, 740. 36 versions of ‘Fortuna’ are ed. in MeconiF. Settings a4 of lauda text transmitted in Grey & Panc27 (different music in Anim1563); ed. CattinG, no.35; CG version (w/Felice’s substitute bass) ed. AtlasCG, ii, 38. Panc27 reinforces the cc. link: the music (the original 3-voice song with an added si placet altus part) is underlaid with d’Albizo’s lauda text, but transmits the incipit ‘Fortuna disperata’ as well; ed. in MeconiF, no. 4. Lauda also transmitted in LA424 without cc., but indication that it was ‘sent to Ser Firenze, prete’. See also the Florentine quodlibet built on the ‘Fortuna’ melody in M164-7, ed. BecheriniT; MeconiF, no. 13; quodlibet strands ed. JeppesenF, iii, 56ff.