Cas794

note: CattinR, no.107

note: FallowsCat, 553; CattinCC, 207-8, where he explains that the cc. (cited in the index to SevP) refers to the 2nd stanza of a song in Act III of Aretino’s Ipocrito, the 1st stanza of which begins with ‘Tempo fu che bene andò’ (‘Bene andò’ in R196), also a cc. title for this lauda . Lauda attributed to Castellani in R196.

note: FallowsCat, 552; CattinNR, 289. Music & text ed. EinsteinIM, iii, no.1 (discussed i, 125). Pix was contemporary in Florence with lauda sources, so was probably the setting d’Albizo had in mind given also the formal compatibility between Petrarch’s and d’Albizo’s texts. 4-part setting in PetF/xi (1514) by Eustachius Romanus, ed. LuisiFr, no. 10. In LA424, lauda sent to ‘Ser Matteo, prete in San Lorenzo’. Both settings use Petrarch’s sonnet, though Franco Sacchetti wrote a sonnet modeled on Petrarch’s, with an identical incipit & form, and addressed it to Filippo Villani; ed. AgenoFS, 435. For a discussion of Petrarch’s sonnet and its 16thc. musical settings, see J. Haar, ‘Pace non trovo’: A Study in Literary and Musical Parody, «Musica Disciplina» XX (1966), pp. 95-133.

note: Carboni-ZiinoLM, 281. In LA424, sent to ‘Monache di Sancta Chiara’ (with variant first line, ‘[O] Sancta Chiara, vaso di fervore’).

note: in LA424, lauda sent to ‘Fra Domenico Ricci in Santa Maria Novella’.

note: Newbigen cites a ‘delightful miracle play of the Three Pilgrims (‘tre pellegrini’) who went to [St. James’] shrine in Galicia’, Piety and Politics in the Feste of Lorenzo’s Florence”, in Lorenzo il Magnifico e il suo mondo, ed. G.C. Garfagnini, Florence, Olschki 1994), 38. The cc. incipit also suggests that this may have been a carnival song.

note: Gall4 cc = ‘A cavallo, a caval, Pavia, Pavia’. Cc. penned into Pal117 as an apparently later addition.

note: ‘O lasso amme tapino’ is sometimes the cc., as for ‘Venga ciascun’ in Gall1. Lauda text survives from late trecento sources.

note: lauda re. St. Zenobius

note: CattinRP, 388-9 (where he notes the existence of ‘twin’ poems by Poliziano with the same incipit: ‘I’ seminai il campo e altri miete’, and ‘I’ seminai il campo, un altro miete’); D’AnconaPP,484.